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Interior designer Ada Wrońska of Plural by Design reworked the ground floor of a small Warsaw rowhouse into an open living space, using color to connect the kitchen, dining area and living room. The project combines a palette inspired by Italy with modernist forms and personal furnishings; the source does not give the home’s address, completion date or project budget.
Designer Ada Wrońska of Plural by Design reworked the ground floor of a small Warsaw rowhouse, replacing several separate rooms with an open kitchen, dining and living area linked by a coordinated but varied color scheme. A Livingetc report describes the renovation as a response to the home’s awkward layout and the owners’ wish for a more personal, lively interior.
Wrońska said the ground floor was gutted and replanned to create one connected living space. The kitchen, dining room and lounge now flow into one another, with the staircase, a wall-to-wall bookcase, kitchen cabinetry and a terrace contributing distinct visual zones within the open plan. The report does not provide measurements or architectural drawings, so the precise layout and dimensions cannot be independently assessed from the text.
The palette began with the kitchen finishes, where the designer and client tested samples before settling on dusty pink, burgundy, several shades of blue and touches of yellow. Wrońska said inspiration came in part from Liguria’s landscapes and buildings, combining the contrast of sea and mountains with the varied, sometimes faded colors of Mediterranean architecture. The homeowners had wanted to move away from neutral interiors and bring more energy and warmth into their home, according to the report.
The design also mixes rounded silhouettes, geometric shapes, contemporary elements and retro references, drawing on the house’s history as a typical Polish rowhouse built in the 1960s or 1970s. A vintage set of wooden dining chairs adds an orangey tone that Wrońska described as a useful color accent. She also said the owners’ interest in travel, food and Italy informed the project; they own Italian restaurants in Warsaw, according to Livingetc.
How Color Organizes the Open Plan
The project offers a specific response to a common design challenge: an open ground floor can feel either disjointed or visually uniform. Here, the reported approach uses a shared color language to connect rooms while furniture, shelving, the staircase and changes in form help distinguish individual areas. The effect is presented as a design choice, not as a measured finding about how the space functions.
The home also shows how renovation decisions can address both the building’s existing character and its owners’ preferences. Rather than recreate a single historical period, Wrońska combined modernist references with contemporary and playful influences. For readers considering similar work, the account highlights the role of sampling and of carrying colors between sightlines; it does not establish that this solution will suit every home or layout.
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A Rowhouse Replanned Around Color
The house was built in the 1960s or 1970s as a conventional Polish rowhouse, according to Wrońska’s comments quoted by Livingetc. Before the renovation, its ground floor was divided into several smaller rooms. The project retained the building’s architectural history as a reference point while changing how the ground floor was organized.
The owners wanted an interior that felt collected and personal, rather than tied to one style or trend. Wrońska said the design drew on their interests, including travel, food and Italy, and on their desire for more vivid surroundings. One notable choice was leaving the staircase without a railing to preserve visual openness; the designer acknowledged that the decision might seem controversial to some. The source does not discuss applicable building rules or safety details.
“We weren’t interested in creating a home that followed one particular style or trend. Instead, we wanted it to feel collected, personal, and a little unexpected — a place where different references could coexist naturally.”
— Ada Wrońska, founder of Plural by Design, quoted by Livingetc
Project Details Not Reported
Livingetc’s account does not specify when the renovation was completed, the home’s exact size or address, the budget, or the names of the owners. It also does not include measurements, plans or independent evaluations of how the redesign performs in everyday use. The explanation of the design’s aims and effects comes from the designer and the publication’s account.
The report says the staircase was left without a railing, but gives no technical details about the stairs, building approvals or safety measures. It is not clear from the material whether the arrangement meets relevant local requirements. No further renovation plans or follow-up developments are reported.
No Further Project Milestone Listed
The source presents the renovation as a completed project and does not announce additional work, a public opening or a follow-up date. Readers seeking practical details would need further information from Plural by Design or the owners, including plans, specifications and confirmation of any applicable safety or approval requirements for the staircase.
Key Questions
What changed in the Warsaw home?
The ground floor was gutted and replanned, replacing several small rooms with an open kitchen, dining and living area.
How does color connect the rooms?
The design carries a varied palette through the open plan, including dusty pink, burgundy, blue and yellow. Furniture and architectural features help give the connected areas separate visual identities.
What inspired the color scheme?
Wrońska cited the owners’ interest in Italy and the landscapes and architecture of Liguria, as well as their wish for a warmer, more energetic home.
Why was the staircase left without a railing?
Wrońska said the choice was intended to maintain openness and visual flow. The report does not give technical information or establish whether the arrangement meets local safety requirements.
Source: livingetc.com
